James Martin, SJ
Rare is a saint’s biographer who can refrain from writing in the first few pages of the book: His life would make a great film! Or Her story was like something out of a Hollywood movie! Some lives of the saints seem tailored for the cinema, so inherently visual are their stories. The series of brightly colored frescoes by Giotto in the Basilica of St. Francis in Assisi could be a storyboard pitch for a movie: Francis and his vision at San Damiano, Francis preaching to the birds and so on. In his book A Brief History of the Saints, Lawrence S. Cunningham notes that there have been, since the talkies, over 30 versions of the life of St. Joan of Arc. Again, one can identify the visual elements with ease: her visions, her meeting the Dauphin, her military conquests, her martyrdom at the stake.

The lives of other saints, especially founders of religious orders, are more difficult to dramatize, since they often move from dramatic conversion to undramatic administration. It was long rumored that Antonio Banderas (the cousin of a Jesuit) was set to play St. Ignatius of Loyola on screen. But any marketable screenplay would end after the founding of the Society of Jesus. Few moviegoers would want to slog through an hour of Ignatius sitting at his desk composing the Constitutions or writing one of the 6,813 letters he penned during his lifetime.

In our time, some saints and near-saints have had a closer relationship to their film biographies. In 1997, Mother Teresa approved a script by Dominique LaPierre based on her life, which would star Geraldine Chaplin. Bless him and his film, she said. On the other hand, when Don Ameche approached the Abbey of Gethsemani in 1949 to obtain the rights to Thomas Merton’s The Seven Storey Mountain, the abbot, Dom James Fox, said no. (For his part, Merton had been thinking along the lines of Gary Cooper.) After turning down the actor, Dom James asked Mr. Ameche if he had made his Easter duty that year. (He had.)

Films can be a fine introduction to the saints. And sometimes the movie versions are as good as any biography for conveying the saint’s special charism. As All Saints Day approaches, here is a roster of my selections for the 10 best films and documentaries about holy men and women, listed in order of their release dates.

1. The Song of Bernadette (1943). Busloads of Catholic schoolchildren were taken by enthusiastic priests, sisters and brothers to see this movie upon its release. Since then, the story of the Virgin Mary appearing to a poor girl in a backwater town in southern France in 1858 has lost little appeal. Based on the novel by Franz Werfel, the movie is unabashedly romantic, with a luminous Jennifer Jones as St. Bernadette Soubirous and the handsome Charles Bickford as her initially doubtful but ultimately supportive pastor, Abbé Peyramale. Some find the score overripe, the dialogue saccharine and the acting hammy (Vincent Price all but devours the French scenery), but the stalwart character of Bernadette comes through. So does the shock that greeted what initially appeared to be a little girl’s lie. (In reality, Bernadette’s parents beat her after hearing their daughter’s tale.) The Song of Bernadette effectively conveys Bernadette’s courage in the face of detractors and her refusal to deny her experiences, despite everyone else’s doubts.

2. Joan of Arc (1948). Cinéastes may still sigh over The Passion of Joan of Arc, the 1928 silent film starring Maria Falconetti and directed by Carl Theodore Dreyer, but this Technicolor sound version is unmatched for its colorful flair. At 33, Ingrid Bergman was far too old to play the 14-year-old girl, and too statuesque to portray the more diminutive visionary, but the movie makes up for those shortcomings with the intensity of Bergman’s performance and the director Victor Fleming’s love of sheer pageantry. Watch it also for the foppish portrayal of the Dauphin, and later, Charles VII, by José Ferrer. You can tell that he’s going to be a bad king.

3. A Man for All Seasons (1966). It is hard to go wrong with a screenplay by Robert Bolt (who also penned Lawrence of Arabia and, later, The Mission); Paul Scofield as Sir Thomas; Orson Welles as Cardinal Wolsey; Wendy Hiller as his wife, Alice; and Robert Shaw as an increasingly petulant and finally enraged Henry VIII. Here is a portrait of the discerning saint, able both to find nuance in his faith and see when nuance needs to give way to an unambiguous response to injustice. The movie may make viewers wonder whether St. Thomas More was as articulate as he is portrayed in Bolt’s screenplay. He was, and moreas able to toss off an epigram to a group of lords as he was to banter with his executioner before his martyrdom. Read Thomas More, by Richard Marius, or The Life of Thomas More, by Peter Ackroyd, for further proof.

4. Roses in December (1982). During a time when the fight for social justice and the preferential option for the poor are often derided as passé, this movie reminds us why so many Christians are gripped with a passion to serve the poor, and it illustrates as well the lasting value of liberation theology. The bare-bones documentary is a moving testament to the witness of three sisters and a lay volunteer who were killed as a result of their work with the poor in Nicaragua in December of 1980. Roses focuses primarily on Jean Donovan, the Maryknoll lay missioner, chronicling her journey from an affluent childhood in Connecticut to her work with the poor in Latin America. The film’s simplicity is an artful reflection of the simple lifestyle of its subjects and the simple beauty of their sacrifice.

5. Merton: A Film Biography (1984). I’m too biased to be subjective about this short documentary about Thomas Merton, produced by Paul Wilkes, the Catholic writer. Almost 20 years ago, I happened to see this film on PBS; it started me on the road to the priesthood. Last year, I had the opportunity to watch it again and found it equally as compelling. It is a low-key introduction to the Trappist monk who became one of the most influential of American Catholics, told with still photographs and interviews with those who knew Merton before and after he entered the monastery. The best part of this film is that by the end you will want to read The Seven Storey Mountainand who knows where that will lead you?

6. Therese (1986). This austere work is a rare example of a story about the contemplative life that finds meaningful expression on screen. Alain Cavalier, a French director, deploys a series of vignettes that leads the viewer through the life of Thérèse Martin, from her cossetted childhood to her painful death. It doesn’t quail from showing how difficult life was for Thérèse in the convent at Lisieux, nor the physical pain that attended her last years. But it also shows the quiet joy that attends the contemplative life. A masterpiece of understatement, Thérèse, in French with subtitles, reminds us that real holiness is not showy. The Carmelite nun’s Little Way of loving God by doing small things is made clear to us through this gem of a movie.

7. Romero (1989). One of the great strengths of this film about the martyred archbishop of San Salvador is its depiction of a conversion. Archbishop Oscar Romero moves from being a bishop willing to kowtow to the wealthy to a man convertedby the death of friends, the plight of the poor and his reappropriation of the Gospelinto a prophet for the oppressed. Raul Julia invests the archbishop of San Salvador with a fierce love for the people of his archdiocese that manifests itself in his work for social justice. The actor said that he underwent a conversion himself while making the film, an experience that informs his performance. The scene where Romero wrestles with Godhalf aloud, half silentlyis one of the more realistic portrayals of prayer ever committed to film.

8. Black Robe (1991). Bruce Beresford’s film, Iadmit, is not about a particular saint. Nevertheless, it hews closely to the lives of several 17th-century Jesuit martyrs, including St. Jean de Brébeuf and St. Isaac Jogues, who worked among the Hurons and Iroquois in the New World. (The protagonist, who meets St. Isaac in the film, is named Father Laforgue.) Some Catholics find this movie, based on the stark novel by Brian Moore (who also wrote the screenplay), unpleasant for its bleak portrayal of the life of the priest as well as for its implicit critique that the missionaries brought only misfortune to the Indians. But, in the end, the movie offers a man who strives to bring God to the people that he ends up loving deeply. The final depiction of the answer to the question, Blackrobe, do you love us? attempts to sum up an entire Catholic tradition of missionary work.

9. St. Anthony: Miracle Worker of Padua (2003). In Italian with subtitles, this is the first feature-length film about the 12th-century saint best known for helping you find your keys. Hoping to become a knight in his native Lisbon, Anthony is a headstrong youth who almost murders his best friend in a duel. As penance, Anthony makes a vow to become a monk. He enters the Augustinian canons but soon becomes caught up with the lure of Francis of Assisi, who accepts him into his Order of Friars Minor. The movie successfully conveys the saint’s conversion, the appeal of the simple life and the miraculous deeds reported in his lifetime. The only drawback is that, if medieval portraiture is to be believed, the film’s Anthony looks more like Francis of Assisi than the fellow who plays Francis.

10. The Saint of 9/11 (2006). You may recognize Mychal Judge, O.F.M., as one of the more well-known heroes of the terrorist attacks on the World Trade Center. Father Judge, a beloved fire chaplain in New York City, was killed on Sept. 11, 2001, while ministering to the firefighters in the north tower. What you may not know is that the Franciscan priest was also a longtime servant of the poor and the homeless in New York City, an early minister to AIDS victims when many others (even doctors and nurses) shunned them, and an experienced pastor at three parishes. This remarkable new documentary is a clear-eyed look at Father Judge’s life, showing how his faith enabled him to deal with his alcoholism (through Alcholics Anonymous) and accept his homosexuality (he was a celibate priest), reminding us that sanctity always makes its home in humanity. An Irish Mercy sister, who knew Judge during a sabbatical in Ireland, says simply, He was a good man who loved so many. It is the best movie about the priesthood in years.

And, in a nod to the first movie on the list, the film notes that besides his devotion to the homeless, to the sick and to his beloved firefighters, Father Judge enjoyed another devotion: to Our Lady of Lourdes and St. Bernadette.

James Martin, S.J., is associate editor of America and author of My Life With the Saints (Loyola Univ. Press).

Comments

Paul Kelley | 10/30/2011 - 5:49pm
Alas, I cannot understand how you omitted tw oof my favorites about St. Francis of Assisi, "Brother Sun and Sister Moon" and simply "Saint Francis of Assisi" by the American director Michael Curtiz.
Julie Flynn | 9/25/2009 - 1:22pm

Who published the film The Saint of 9/11 (2006)?
or Where can one buy the film?

Sylvia McGeary | 10/26/2006 - 7:29pm
I would like to thank Fr. James Martin for Saints on the Screen. I have wonderful memories from childhood and adolescence that have to do with several of the films mentioned in the article. They were great tools for learning and for identifying with the men and women who are such a significant part of our tradition.

I was sorry to see that Fr. Martin did not include Entertaining Angels - Dorothy Day's story. She certainly fits the bill as a servant of God. One who is not only contemporary but whose story resonates with our young Catholic community.

I teach a course in Catholic Social Thought to undergraduate students and I use her story and the movie as a way of opening up the wholistic dimension of Catholic Social Teaching (among other concepts). She is someone whose life is understandably familiar to 21st century American Catholics. Her story is one that needs to be told again and again, to give both example and hope to young and old alike.

(Rev.) Robert Lauder | 2/26/2007 - 1:32pm
I enjoyed reading “Saints on the Screen,” by James Martin, S.J., (10/30); because of it I have resolved to track down a copy of “Joan of Arc,” which I have never seen. Though I would not drop any of Martin’s selections, any list of 10 is necessarily limited, so let me call attention to three films that I think best portray saints working with the poor: “Monsieur Vincent” (1947), “Entertaining Angels” (1996) and the Petrie Sisters’ documentary on Mother Teresa, “Something Beautiful for God” (1969).

Rosemary Huber, M.M. | 2/26/2007 - 1:16pm
Thank you for your interesting and informative article “Saints on the Screen,” by James Martin, S.J., (10/30). But two corrections are required in the section about “Roses in December.”

Jean Donovan came to Maryknoll for some of her training, but she was not a Maryknoll lay missionary. Jean was a member of the Cleveland Team with Dorothy Kazel, an Ursuline sister. Sisters Ita Ford and Maura Clark were Maryknoll sisters. The four women were friends and collaborated often in securing safety for Salvadoran refugees.

The four women were martyred together in El Salvador, not Nicaragua.

Jon Sobrino, S.J., later wrote: “I should like to recall the four North American women missionaries who gave their lives in 1980, the United States’ most precious gift to El Salvador. They have the eternal gratitude of the Salvadoran people, thank you. In Maura, Ita, Dorothy and Jean, God has visited El Salvador.”

Andy Galligan | 2/26/2007 - 1:06pm
James Martin, S.J., lists his top 10 films about holy men and women (10/30). I concur that his 10 films were first-rate religious movies. I think, however, that he should have chosen 11 and added the 1947 black-and-white French masterpiece “Monsieur Vincent,” which dramatically and realistically told the story of St. Vincent de Paul in unforgettable fashion. It left an indelible mark on my mind all these years.

Vincent was portrayed by Pierre Fresnay, who, I am told, was the favorite actor of Alec Guinness. I was further told that Fresnay was an atheist at the time. If that is so, I would say it was the greatest piece of acting I have ever seen. In any case, it is a magnificent motion picture, in my opinion, certainly one of the finest ever made. I hope that all of your readers may someday search it out and see it. A marvelous experience.

Joseph P. Nolan | 2/26/2007 - 1:04pm
James Martin, S.J., could easily have put the “The Mission,” with Robert De Niro and Jeremy Irons, on his list of top movies in “Saints on the Screen” (10/30). Like “Blackrobe,” the 1986 movie “The Mission” is not about one individual. But it does portray the collision of religion, cultures and colonialism in the 18th-century New World.

Spanish Jesuits heroically defend their South American mission as the Spanish empire collapses around them. The political and geographic demands of Portuguese conquerors rule the day, apparently with Rome’s approval.

The opening scene of the movie shows a missionary lashed to a cross made out of logs, plunging down a waterfall to his death. The martyrdom scene is particularly disturbing.

After watching this movie, the demands made on many modern-day Catholics seem minuscule compared to the herculean and sometimes deadly demands made of Jesuit missionaries 300 years ago.

Sylvia McGeary | 10/26/2006 - 7:29pm
I would like to thank Fr. James Martin for Saints on the Screen. I have wonderful memories from childhood and adolescence that have to do with several of the films mentioned in the article. They were great tools for learning and for identifying with the men and women who are such a significant part of our tradition.

I was sorry to see that Fr. Martin did not include Entertaining Angels - Dorothy Day's story. She certainly fits the bill as a servant of God. One who is not only contemporary but whose story resonates with our young Catholic community.

I teach a course in Catholic Social Thought to undergraduate students and I use her story and the movie as a way of opening up the wholistic dimension of Catholic Social Teaching (among other concepts). She is someone whose life is understandably familiar to 21st century American Catholics. Her story is one that needs to be told again and again, to give both example and hope to young and old alike.

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