Outside my window, the bushes have turned, redder
than any fire, and the sky is the same blue Giotto
used for Mary’s robes. My mother says, if she still
had a house, she’d plant one or two of these bushes,
and I love how she’s still thinking about gardening,
as if she were in the middle of the story, even though
we both know, she’s at the end, the last few pages. Down
in the meadow, the goldenrod’s gone from cadmium
yellow to a feathery beige, the ghost of itself. Mother,
too, fades away, skin thin as the tissue stuffed
up her sleeve. The scars on her stomach
itch and burn, but inside, she’s still the girl
who loved to turn cartwheels, the woman
whose best days were on fairways and putting greens.
On television, we watch California go up in smoke,
flames leapfrogging ridge to ridge. Here, these leaves
release a shower of scarlet feathers, as everything starts
to let go. Oh, how this world burns and burns us,
yet we are not consumed.
Burning Bush
Show Comments (
)
Comments are automatically closed two weeks after an article's initial publication. See our comments policy for more.
The latest from america
I use a motorized wheelchair and communication device because of my disability, cerebral palsy. Parishes were not prepared to accommodate my needs nor were they always willing to recognize my abilities.
Age and its relationship to stardom is the animating subject of “Sunset Blvd,” “Tammy Faye” and “Death Becomes Her.”
What separates “Bonhoeffer” from the myriad instructive Holocaust biographies and melodramas is its timing.
“Wicked” arrives on a whirlwind of eager (and anxious) anticipation among fans of the musical.