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Stained-glass window depicting Christ rising over the city of Houston
Art
Christopher T. Haley

In 1959, Pope John XXIII redesignated the Diocese of Galveston as the Diocese of Galveston-Houston, and elevated Houston’s Sacred Heart parish to the unusual status of co-cathedral, shared with the St. Mary cathedral basilica in Galveston. As the population of Houston boomed, more than doubling in the second half of the 20th century, the diocese outgrew the space, and in 2002 Pope John Paul II approved the design of a new co-cathedral of the Sacred Heart.

“Top of the Rue de Champlain, View to the Right,” c. 1877-78
Art
Leo J. O’Donovan, S.J.
Charles Marville’s photographs of a city transformed
Carpeaux's "Mater Dolorosa," 1870. (Image courtesy of the Metropolitan Museum of Art)
Art
Leo J. O’Donovan, S.J.
His parents were horrible people. He was sickly all his life, dying eventually of an excruciating bladder cancer at only 48. His emotional life was often ungovernable. His at first rapturous marriage to a beautiful young aristocrat far above his station was plagued by suspicion, jealousy and outrigh
"Midsummer Dance," 1897
Art
Karen Sue Smith
The sumptuous colors, dazzling brushwork and sheer drama in the paintings of Anders Zorn (1860-1920) earned the Swedish artist fortune and fame during the Gilded Age. But Zorn’s work and name gradually fell into obscurity outside Sweden. As a result, his brilliant body of work has not been sho
"Exodus," by Marc Chagall, 1952-66
Art
Karen Sue Smith
The Jewishness of Jesus has seldom been rendered more clearly in art than in the crucifixion scenes of Marc Chagall.
“The Toilet of the Princess,” attributed to John Vanderbank (active ca. 1680-1717)
Art
Leo J. O’Donovan, S.J.
Well before globalization and technology unified the world, trade in textiles wove it both practically and sumptuously together.