For the first time, viewers in the United States can see 193 of Hilma af Klint's earliest abstractions in “Hilma af Klint: Paintings for the Future,” at the Solomon R. Guggenheim Museum in New York City.

Following an acclaimed exhibition of the great French Romantic painter Eugène Delacroix at the Louvre in Paris, the Metropolitan Museum of Art opened, on Sept. 17, the first full presentation of the artist ever to be held in North America.

David Wojnarowicz's place in the history of American art is conflicted. He is likely best remembered for his involvement in the culture wars. But, removed from the stigma of a polarized culture war, what observations can we take away from this exhibition?

The images in Kara Walker's "Christ's Entry into Journalism" are a strange juxtaposition of past and present, disturbing fact and disturbing fiction.

On the 50th anniversary of many historic moments of the Chicano movement, a new photography exhibit at The Autry in Los Angeles is telling the Chicano story through the eyes of its participants.

The Congolese artist has left us a form of art that transcends political and aesthetic categories.