Faulkner’s Southern twist on Joycean modernism has made for popular reading in the wake of the U.S. Capitol insurrection and other spasms of red-state rage.

Katharine Hayhoe's new book is a conversational, first-person narrative that melds the social science around climate change attitudes and communication into a framework and set of stories that readers can access and relate to.

Using present tense, omniscient point of view and a William Faulkner-like stream-of-consciousness, Damon Galgut takes readers into the heads of every character in his new novel.

Does Christian literary expression hover as “something between a dead language and a hangover"? Have Catholic artists “ceded the arts to secular society"? In response to what might be considered a literary call to action comes a new book by Joshua Hren.

Forty years after its publication, Jon Sweeney revisits ‘Blue Highways’ and its iconoclastic author.

In “Camera Man,” the critic Dana Stevens uses the biography of the great silent film clown as a lens to explore the early days of movies, the cultural forces that gave them birth and the social upheavals they in turn engendered.