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Film
Richard A. Blake
Pity poor Kansas! Deposited there in the dead center of the country, propping up Nebraska and oppressing Oklahoma, the state has been typecast by Hollywood screenwriters. When a poor girl gets bonked on the head, she hies out of Kansas as fast as her red slippers or white sneakers will carry her. Ev
Film
Richard A. Blake
This summer radio listeners in the Boston area have had a steady diet of ads for a touring company of Peter Pan. The attention-grabber is a line from its most familiar song: I won’t grow up; I don’t want to go to school. Great fun for all the family. Günter Grass, however, might have be
Film
Richard A. Blake
Dr. Sanford Cinematz, F.A.P.A., P.C.: Dreams. Yes, yes, your dream.
Film
Richard A. Blake
In his eminently forgettable "Stardust Memories" (1980), Woody Allen in the persona of a world-famous director in the Fellini mold, a kind of pizza made with Velveeta, catsup and Wonder bread, visits a college to participate in a leaden symposium on the art of the film. Rather than receivi
Film
Richard A. Blake
For years my shaving mirror has tried to convince me that I look just like Paul Newman: baby blues, wavy hair (with just a sprinkling of salt amid the pepper), sharp, assertive chin and that drive-the-ladies-wild roguish grin, with just a touch of worldly wisdom revealed in the perfectly etched line
Film
Richard A. Blake
When an art form starts to reflect upon itself, does the borrowing indicate maturity or senescence? I don’t know. Film artists have copied one another since the very earliest comics in the silents realized that audiences loved chase scenes and so tried to outdo their rivals with ever more fran