The director Bruno Dumont has said that movies can “look beyond the visible to explore something that reason can’t.”

In “Blood Quantum,” the past isn’t dead—it’s coming to get you.

Encountering Roberto Rossellini’s “The Flowers of St. Francis,” which turns 70 this year, will be an odd experience for most first-timers.

For all its deft crafting of real-life detail, Eliza Hittman’s film never admits any reality besides abortion as saving grace.

Todd Haynes’s second feature film, starring Julianne Moore as a woman isolated by a mysterious illness, resonates anew in our sudden quarantine, writes America’s Ryan Di Corpo.

Brooding, interior and utterly focused, Mr. von Sydow is a stirring presence on screen, with a weathered face apt to illustrate inner spiritual turmoil.