With “A Hidden Life,” the writer and director Terrence Malick set himself a bold and perhaps impossible task: using all the visual resources of film to represent faith itself.
A Christie parody for Trump’s America, where the embodiment of chastising justice isn’t the detective but the scapegoat, is a strange, potentially powerful concept.
Waves is a film with strong film with a moving story, dynamic themes, and complex characters. But plot holes married with production missteps left me asking many questions.