Damien Chazelle’s "First Man" is a remarkably idiosyncratic movie, given the usual heroic/fantastic presentation on screen of space travel—or anything involving the heavens.
“A Star Is Born” is not only among the most self-reflective of Hollywood vehicles but the most resilient; when clichés work they are called conventions.
While readers have found these characters relatable and inspiring since Little Women’s publication, the modern March family vacillates between forgettable and unlikeable.