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Matthew McConaughey, right, in “Dallas Buyers Club”
Film
John Anderson
John Anderson reviews “Dallas Buyers Club,” nominated for best picture in the weekend's Academy Awards.
Collateral Damage: Marcia Gay Harden, left, and Zac Efron, center, in 'Parkland'
Film
John Anderson
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Texas, who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half century of conspiracy theories, recorded a pres
Joseph Gordon Levitt and Scarlett Johansson in 'Don Jon'
Film
John Anderson
Joseph Gordon Levitt's 'Don Jon' is an Augustinian journey through cinematic excess.
Benedict Cumberbatch and Chiwetel Ejiofor in "12 Years a Slave"
Film
John P. McCarthy
Today, Steve McQueen's "12 Years a Slave" received 10 Academy Award nominations, including Best Picture.
Film
Raymond A. Schroth, S.J.
Twenty years ago, traveling in Syria and Jordan with a faculty group, separated from my comrades, I wandered alone through the Palestinian refugee camp in Baga. Till then my concept of a “camp” was tents—scouts on an overnight trip, troops on bivouac—but this was a permanent
Ewan McGregor in "Big Fish"
Film
Don Clemmer
An American paratrooper leaps from a plane, descends through the hazy night sky and lands, unnoticed, directly on the backstage catwalk of a large, U.S.O.-style show. Onstage an Asian ventriloquist performs an expressionless routine before a sea of unmoved military brass with a distinctly Communist