Neither Barbie nor Oppenheimer directly apologizes or asks for forgiveness, and neither can truly dismantle the damage they have done.

Greta Gerwig has made a movie as layered and paradoxical as the reputation of Barbie itself.

“Oppenheimer” is both a startling re-examination of American history and a bleak warning about the nuclear age.

In ‘The Miracle Club,’ Maggie Smith and Kathy Bates do not expect quick cures at Lourdes, and viewers should not expect a perfect film. But there are some surprises among the clichés.

This man has seen the Ark of the Covenant melt faces and the Holy Grail grant eternal life. Wouldn’t that convert even the most ardent atheist?

In ‘The Miracle Club,’ Thaddeus O’Sullivan is unafraid to explore more serious topics, such as abortion and suicide, and to reckon with the lingering effects of communal grief.