As a title, No Country for Old Men boasts a noble ancestry. It traces its roots through the novel by Cormac McCarthy to the opening line of William Butler Yeats’s poem “Sailing to Byzantium.” In the poem Yeats yearns to leave the ephemeral world of “whatever is begotten, born

'The Golden Compass,' reviewed

George Clooney as Thomas More? A review of 'Michael Clayton'

At age 89, on July 30, 2007, Ingmar Bergman left us. Tragically, he won’t be widely mourned by today’s movie audiences. His unblinking, introspective examination of the human condition places heavy demands on his viewers. His last film, “Saraband” (2002), was greeted respectf

‘Amazing Grace’ attempts to depict Wilberforce’s life while also capturing a sense of the labyrinthine journey of a simple moral issue through the thickets of political intrigue and compromise.

French theorists used to employ the term “pure cinema” to describe film as an entirely new art form of moving images. It struck directly at the senses and created its own experience, without reliance on older forms like literature, painting, music or photography. The theory provided the