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Film
Richard A. Blake
One need not be one of those bloated bloviators of talk radio to rush to the judgment that political correctness and ethnic sensitivity can be carried to comic, even tragic, extremes at times. Philip Roth, an author of solid liberal credentials, explored the dark side of planet P.C. in his splendid
Film
Richard A. Blake
Trust receives no flag-draped coffin, no posthumous medals and stirring eulogies, but it has ever been a tragic casualty of war, and we have been in a state of war for nearly a century now. Words lose their meaning, and covenants prove hollow. What political leader can we believe? Who from the busin
Film
Richard A. Blake
Suicide and martyrdom have become our constant companions in this dark new century. We’ve settled comfortably into explaining the phenomenon in terms of extremism or fanaticism. We place the blame securely on tribal and religious traditions gone terribly wrong in the minds of some few who woul
Film
Richard A. Blake
Suppose Guantánamo and Abu Ghraib are not merely momentary aberrations, but rather preludes to even stronger responses to the threat of terrorism. After all, in a very short time, we’ve become used to teams of guards in black coveralls carrying automatic rifles as they patrol our airpor
Film
Richard A. Blake
Thirty-plus years of doing this column have given me quite a high tolerance for awful stuff, but Apocalypto nearly beat me. After an hour, it took sheer will power to keep me in my seat. Yes, most early reviews of the film have been positive, but not ecstatic, so perhaps the problem rests in the eye
Film
John P. McCarthy
The idea that Hollywood has found religion gets a boost from The Nativity Story, touted by its distributor, New Line Cinema, as the first-ever major motion picture devoted to the story of Jesus’ birth. Whether or not that claim is true, the movie is the best example of the recent rapprochement