Long, sweeping shots from the air reveal a sullen winter landscape. Frosty roads hint at a tentative incursion of humanity into this otherwise barren countryside, but otherwise the scene could be taken from a distant planet. The camera slides over the edge of a monstrous crater, fashioned by steel a

"Nattering nabobs of negativism” was the phrase Spiro T. Agnew used to describe the press when he addressed the convention of California Republicans on Sept. 11, 1970. The vice president had his own reasons for despising what he called “the effete corps of impudent snobs.” Loc

Broken Flowers needs no narrative. Bill Murray’s face says it all: unspeakably sad eyes that might once have had the twinkle of a comedian, pitted jowls and a mouth far too small and puffy for a face grown larger as his forehead nudges his hairline backwards. He stares intently at his huge pla

Can you find a connection between these three statements? 1. Hollywood complains that box-office is way down this summer. 2. When I was looking around for material for another film column that might interest America readers, I was driven to a month-old documentary about penguins. 3. Even with the ma

To qualify as a Hollywood blockbuster, historical epics have to have several things: an anachronistically modern hero, a ruthless villain, a contrived love story, cataclysmic battle scenes and, of course, beheadings. But historical epics also have to have something else: a Big Idea, typically an idi

They don’t make movies the way they used to, and Cinderella Man shows why. Before it opened, Universal thought it had a certain hit on its hands. The film features two of the most bankable names on any marquee in the world: Russell Crowe and Renée Zellweger. Its director, Ron Howard, had team