It’s hard. Reviews of Woody Allen’s new films generally break into two categories: The master hasn’t lost his touch, or the master is in decline. Those of us who have followed Allen’s career closely over the last 30 years and consider him the greatest American filmmaker of th

Most people drink in order to enjoy wine. Miles Raymond (Paul Giamatti) enjoys wine in order to drink. Surely there are as many definitions of alcoholism as there are drinkers, or even as there are people who have ever thought about it, but Miles has enough classic symptoms to give friends reason to

In 1931, as the Depression tightened its grip on the American imagination, a very young Bing Crosby recorded a Harry Warren jazz ballad with the words, “I found a million dollar baby in a five-and-ten-cent store.” The song became a hit, and its singer went on to become one of the great i

The Catholicism in Martin Scorsese’s films involves much more than crucifixes on the walls of his Italian-American characters. It lies at the heart of the conflicts faced by his tragic heroes. These are men (sic) who because of their own actions find themselves separated from the community tha

Each of the four characters in Closer, Mike Nichols’s adaptation of Patrick Marber’s play, inhabits a world of surfaces. Larry (Clive Owen) is a dermatologist, who by the nature of his specialization avoids the inner workings of his patients, and can even rearrange appearances to suit hi

Had I been writing this column 80 years ago, I would probably have lined up with those critics vigorously opposed to the talkies. “Who needs sound?” we might have argued. By the mid-1920’s film had developed into an incredibly sophisticated visual medium. The Russians had mastered