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Film
Richard A. Blake
‘Is there any place on campus where they recite the Liturgy of the Hours?” The two undergraduates who popped into the sacristy after one of those tiny mid-morning, midweek gatherings for Eucharist in a university chapel took me by surprise. Why would two young women want to squeeze one m
Arts & CultureFilm
Richard A. Blake
Not long ago a distant cousin, a genealogy buff, sent me an antique clipping from a local paper about a possible ancestor on trial for murder. In the labor wars of the 19th century, scabs did not have much longevity in the Irish factory towns of the Middle West. This long-forgotten enforcer simply p
Film
Richard A. Blake
The rituals of the suburban cocktail party play out predictably. Sometime during the late afternoon, amid the gleaming borrowed chafing dishes and the fluttering corporate wives, one of the guests, grown progressively less inhibited through drink, raises a glass to toast the beautiful hostess. She s
Film
Richard A. Blake
Road to Perdition begins and ends with a young boy looking out over Lake Michigan. His voice-over narration in the opening shot leads the way to the lengthy flashback that provides the story line of the film. The camera, however, stares out over the faceless waters with him, as though pondering his
Film
Richard A. Blake
Those of us of a certain age can sympathize with poor Cecily (Reese Witherspoon), a prisoner of grammar lessons taught by the indefatigable and assertively dull Miss Prism (Anna Massey). Oscar Wilde certainly did, when he put her in The Importance of Being Earnest. Yet those tedious days of Latin an
Film
Richard A. Blake
That delightful lull between the end of classes and the beginning of exams provided the perfect opportunity to catch up on movies missed during the last several months. As it turns out, Iand thus regular readers of this columnhave missed little. Two walls of the neighborhood video shop feature new r