Watching the same character fall short of redemption, or meaningful contrition, over and over again, dozens of times, is torture.

When it came to bringing Kamala Khan to the screen, Marvel has made all the right choices.

"Russian Doll" is kind of a Jewish "Fleabag" meets time travel, a mind-bending exploration of trauma that reads like an exercise in self-therapy.

“For All Mankind” invents a Soviet victory in the space race and imagines a tempting counterfactual: What if Americans’ faith in government was never shattered?

My heart is not large enough, my consciousness is not spacious enough for all the spot-on characters, the hectic energies, the ripping stories. I am not skillful, I think, at TV.

While “Star Trek” has presented itself as a show about exploring strange new worlds, at its heart it has always been about elevating those whom society has ignored.