We may be used to #MeToo stories at this point, but Kimberly Belflower brings a new twist to a classic tale with 'John Proctor Is the Villain.'

”Unreconciled” looks abuse, disregard and callousness in the eye and witnesses instead to radical kindness.

In Broadway revivals of ‘Othello’ and ‘Glengarry Glen Ross,’ the spectacle of self-defeating male competition and betrayal is the main draw.

Middle Eastern representation is notably scarce in New York. ”English” and ”A Knock on the Roof" seeks to change that.

Audra McDonald, our greatest living musical theater actor, transforms the role of Momma Rose in a stunning new revival of “Gypsy.”

With ‘Maybe Happy Ending,’ two first-time Broadway writers take a big swing—and hit a home run.