Three plays invite us to look back on the decade that launched Trump as a time of churning ambivalence and upheaval.

While Shepard's plays would absorb different rhythms and influences, their essence and voice were unmistakably his—our—own.

In a bewildering new staging at The Public Theater, Oscar Isaac is giving a rich, riveting lead turn as the dubious Danish prince.

If the Greeks had Antigone, Americans have Dorothy Day.

Like all the best historical narratives, “Oslo” shows the intense fragility and contingency of human affairs

I will be glad to get some sleep when our “Julius Caesar” closes this Saturday, and I can stop living the fevered life of Casca the conspirator.