In the fallen world of “The Ferryman,” conflict and compromise poison everything.

How did an old war horse manage to outrun a rolling stone?

"Downstate" poses a number of uncomfortable questions, relevant and challenging both in light of the ongoing #MeToo movement and the church’s continued grappling with its sexual abuse scandal.

With his "Mass," Leonard Bernstein uses liturgy to give voice to political unease.

“Harry Potter and the Cursed Child” is both a sequel to Rowling’s iconic seven-book series and a canny rehash of many of its tropes.

Tony Kushner’s two-part play feels both timely and timeless.