Loading...
Loading...
Click here if you don’t see subscription options
ALL ALONE? George Drance in "*mark" (photo by Colin Poellot)
Theater
Rob Weinert-Kendt
A bearded, haunted man scrambles into the black box theater wearing a soot-colored hoodie, jeans with fist-sized holes at both knees, and a slim backpack, while red siren lights flash and tense cop-show music blares. He crouches behind trash cans to elude an unseen pursuer. When the threat appears t
UNFORGIVEN. Chris O'Dowd and James Franco in "Of Mice and Men" (Photo by Richard Phibbs).
Theater
Rob Weinert-Kendt
Journeys of hurt and healing on Broadway: 'Of Mice and Men' and 'The Cripple of Inishmaan'
THE PIVOTAL PRESIDENT. Bryan Cranston as L.B.J.
Theater
Rob Weinert-Kendt
L.B.J. campaigns for civil rights in ‘All the Way.’ A review from theater critic Rob Weinert-Kendt.
Theater
Michael V. Tueth
Tennessee Williams’s The Glass Menagerie first appeared on Broadway in 1945, beginning what would be a wave of great American plays about troubled families. Arthur Miller’s “All My Sons” and “Death of a Salesman,” William Inge’s “Picnic,” Eugene
HAPPY DAYS? Patrick Stewart and Ian McKellen in a new production of "Waiting for Godot"
Theater
Rob Weinert-Kendt
A new ‘Wait for Godot’ on Broadway affirms Samuel Beckett’s brilliance
Mark Rylance as King Richard III
Theater
Rob Weinert-Kendt
The Bard’s many incarnations