In “9 Circles,” Bill Cain, S.J., challenges us to do the hard work of balancing empathy with accountability, recognizing that in war we are all responsible for what is done in our name.

Transcendent, communal moments like these, so long denied us by this still raging pandemic, have been worth the wait, and they are more than worth the trouble.

It is a story made possible by young people’s collective efforts to find some creative solace during Covid-19.

Dana Higginbotham is the subject of an extraordinary new play by her son, Lucas Hnath.

The show's extreme makeover casts something of a spell but it comes off more and more like a self-serious period piece with some kicking tunes.

Since 1975, a touring production of “The Trojan Women” staged by New York’s La MaMa Experimental Theater Club has played in more than 30 countries.