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Arts & CultureFilm
Mike Seay
In Ari Aster’s “Midsommar,” the devil is not an ugly monster hiding in the shadows—he is in the daylight, dressed in a white robe and a crown of flowers.
In “Good Omens,” Aziraphale (David Tennant), left, and Crowley (Michael Sheen), right, are the Rosencrantz and Guildenstern of salvation history. (Photo: IMDB).
Arts & CultureTelevision
Jim McDermott
The Amazon series is based on the much-beloved fantasy novel by Neil Gaiman and Terry Pratchett.
Arts & CulturePoetry
Robert Jackson
Come on. Come on. Come on, now. Come on.
(photo: Evelyn Akhmerov/Unsplash)
Arts & CultureArchitecture
Ciaran Freeman
Part sculpture, part landmark, it is unclear what purpose the structure plays in the public sphere.
Arts & CultureBooks
Pete Holmes discovers a new meaning to Christ’s words “Go and do likewise,” not as a moralistic command, but as a call to an awakening, a conversion, the practice Catholic tradition calls the “imitation of Christ.”
Arts & CultureBooks
Tim Dulle
Catherine Osborne has produced a significant study of changing tastes in the construction of American Catholic churches between 1925 and 1975.