Abstraction is fundamentally inhuman, even anti-human.

Written in the 1930s, George Gershwin’s “Porgy and Bess” has always been controversial.

The natural world is Wendell Berry’s primary teacher: its rhythms, its largesse, its mysteries.

As Cummings notes, our future saints, some of whom have already passed beyond the veil, will disclose to us as much about ourselves and our church as they will about their own heroic virtue.

‘This is My Body,’ by Cameron Dezen Hammon, is a warning about how a feminist can fall prey to and rationalize the pervasiveness of misogyny, despite his or her best intentions.

In ‘Wings of Desire,’ Damiel is tired of pretense, tired of spending eternity as a pure spirit.