I am intrigued by new French films that dramatically apply religious principles without the mention of God.

Instead of the fusty old churchman we all know, Sarah Ruden’s Augustine is a dreamer, an artist, a poet.

The New York Historical Society is presenting, "World War I Beyond the Trenches" as part of the 100th anniversary of the United States' entry into World War I.

If religious people get hung up on the cursing and the sex, we are missing an opportunity for conversation.

The texture and variety of Stevens's new album creates liminal spaces between the sacred and the profane.

Given that many of you are likely reading this on the beach, or in transit to your summer destination, I thought I’d offer you some lighter fare here.