Under the jump scares and the improvised weapons “Get Out” is subtle and disturbing.

Louis Theroux's curiosity, open-mindedness and consternation is exactly why his films are successful; he will never run out of questions.

"His attempts to gain access to the church even led Scientologists to set their own cameramen on Theroux, taunting him that they were making a documentary, too."

John A. Coleman, S.J., reviews "A Church of the Poor: Pope Francis and the Transformation of Orthodoxy" by Clemens Sedmak.

More “The Breakfast Club” than “Bridesmaids,” “Table 19” is sweet, fun and poignant.

Bush’s new exhibition features 66 paintings of wounded veterans whom the former president has come to know.