As a high school student in a rigorous art program, she had been drawn to Impressionism. Its tension—between precision and subjectivity, seeing clearly and feeling deeply—marks Leilani’s fiction output.
When John Berryman and Robert Giroux met at Columbia University in 1932, they would not have expected to forge a decades-long friendship that would result in over a dozen literary classics.
The five most memorable books of Sam Rocha's summer formed "a resounding counterfactual rebuke of the cottage industry reporting the doom of Catholic academia."
Jean Giono's narrators are often grounded in a kind of eternal present, where the coach will always run and a certain tree will always stand, moving us by degrees into the uneasy past of narrative.