In 2014 Morricone premiered his first-ever Mass in the Church of the Gesu, the Jesuits’ main church in Rome.

The director Bruno Dumont has said that movies can “look beyond the visible to explore something that reason can’t.”

In “Blood Quantum,” the past isn’t dead—it’s coming to get you.

Easter joy gives us the eyes to see those hints of eternity in the here and now, writes Matt Malone, S.J.

Encountering Roberto Rossellini’s “The Flowers of St. Francis,” which turns 70 this year, will be an odd experience for most first-timers.

For all its deft crafting of real-life detail, Eliza Hittman’s film never admits any reality besides abortion as saving grace.