Under a remarkably convincing recreation of 1819 England is both the brutality and the self-righteousness exhibited by the haves, when the have-nots ask for more.
For the Feb. 23, 1974, issue, the editors invited William Peter Blatty, author of the novel The Exorcist and a producer of the film, to respond to America’s critics.
The event that takes place in “The Devil’s Doorway,” a horror film from the Irish director Aislinn Clarke, may or may not be a miracle—but it exposes a truth about who we are, we who crucified Christ.