What makes a Christian movie? Can you define it based on its themes and subjects? Or is it all in whom it’s marketed at?

Xavier Beauvois’s film is based on a novel by Ernest Perochon, with a lot of its misery, disease and death left out.

When I read A Wrinkle in Time as a child, it was an experience of the senses.

In “The Devil and Father Amorth,” William Friedkin turns to reality.

‘Jesus Christ Superstar,’ ‘Jesus of Montreal’ and other favorites from an evergreen genre.

“Back to Burgundy” is about family tensions boiled up by both the financial and artistic challenges of the wine business.