François Ozon directs a parable set in the years immediately following World War I.

Under the jump scares and the improvised weapons “Get Out” is subtle and disturbing.

Louis Theroux's curiosity, open-mindedness and consternation is exactly why his films are successful; he will never run out of questions.

"His attempts to gain access to the church even led Scientologists to set their own cameramen on Theroux, taunting him that they were making a documentary, too."

More “The Breakfast Club” than “Bridesmaids,” “Table 19” is sweet, fun and poignant.

In "The Shack," a grieving father struggles to come to terms with the abduction and murder of his youngest daughter.