Using present tense, omniscient point of view and a William Faulkner-like stream-of-consciousness, Damon Galgut takes readers into the heads of every character in his new novel.
Does Christian literary expression hover as “something between a dead language and a hangover"? Have Catholic artists “ceded the arts to secular society"? In response to what might be considered a literary call to action comes a new book by Joshua Hren.
In “Camera Man,” the critic Dana Stevens uses the biography of the great silent film clown as a lens to explore the early days of movies, the cultural forces that gave them birth and the social upheavals they in turn engendered.