The fall season has given us three wildly different case studies in Broadway’s pop/rock hybrids.

The story of “La Virgen del Tepeyac” is about the birth of a people.

The play is a verbatim reenactment of the F.B.I.’s hour-long interrogation of the Georgia intelligence contractor who was arrested for leaking classified documents.

Arbery has written a play based on many years of quietly watching and listening to his fellow Catholics and conservatives.

Jesuit plays aimed to create sensual religious displays to shake audiences into spiritual reckoning and conversion.

The theater has been a place where New York theatergoers can get an above-average dose of plays on spiritual themes.