“Dead Man Walking” is a deeply human story about truth, forgiveness and the possibility of redemption. It is a journey into which everyone—from the singers to the audience—is invited.

For theater fans, the arrival of a new Annie Baker play is cause for celebration.

“Kimberly Akimbo” is about two young people who have an incredibly hopeful perspective on life. But it’s also quietly about childhood trauma.

The ambitions of these two comedies could hardly be more disparate, yet the craft employed in both is rooted in similarly precise calibrations of our attention and sympathies.

Three strong new revivals offer an instructive comparative lens through which to view the form’s development over the decades. 

In these Lenten and Easter days in which the church celebrates a man whose divinity was revealed in his willingness to sacrifice everything for love, consider "Sweeney Todd" to be that story’s dark, demonic twin.