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Voices
John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times.
Emily (Zoe Kazan) and Kumail (Kumail Nanjiani) in "The Big Sick." Photo courtesy of Amazon Studios.
Arts & CultureFilm
John Anderson
What “The Big Sick” gets at is how America undermines traditions from other countries, and always has.
Kate Micucci, Alison Brie and Aubrey Plaza in "The Little Hours" (photo: Sundance)
Arts & CultureFilm
John Anderson
Surprise and outrage are two of the basic tools of comedy, and no one expects these sweet-looking sisters to sound like sailors.
Holi, India. Photo: Argot Pictures
Arts & CultureFilm
John Anderson
John Anderson reviews "Sacred," a documentary exploring various world religions.
Arts & CultureBooks
John Anderson
John Anderson reviews "Lincoln in the Bardo" by George Saunders.
Arts & CultureTelevision
John Anderson
“Call Me Francis” is unafraid to delve into Francis’ intellectual conflicts. But neither is it afraid to be funny. 
Angela Davis in Ava DuVernay's "13th"
Arts & CultureFilm
John Anderson
Ava DuVernay's "13th," a documentary about mass incarceration of African Americans nominated for an Oscar, is full of good words and bad images.
Arts & CultureFilm
John Anderson
Thanks to the arcane rules behind the foreign-language Oscar, sentimentality usually reigns supreme.
Arts & CultureIdeas
John Anderson
Martin Scorsese's new film will be elusive to the many and beloved by the few.
Kyle Chandler, left, and Casey Affleck in "Manchester by the Sea."
Arts & CultureFilm
John Anderson
Plenty of movies make you think. Far fewer allow you to think, which is something rather different. Take “Manchester by the Sea.”
Arts & CultureFilm
John Anderson
“Loving” is film about a lot of things, including two simple people causing violent eruptions across the social and legal landscapes. It is a portrait of America at a particular time and place. So is "Billy Lynn’s Long Halftime Walk."