Voices
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York. He writes a blog called The Wicked Stage.
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Tony Kushner’s two-part play feels both timely and timeless.
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Rebecca Miller has made a film that pays complicated tribute to a complex man.
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But was the civil rights leader Brutus or Caesar?
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Three plays invite us to look back on the decade that launched Trump as a time of churning ambivalence and upheaval.
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While Shepard's plays would absorb different rhythms and influences, their essence and voice were unmistakably his—our—own.
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In a bewildering new staging at The Public Theater, Oscar Isaac is giving a rich, riveting lead turn as the dubious Danish prince.
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Like all the best historical narratives, “Oslo” shows the intense fragility and contingency of human affairs
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"Sweat" tells the story of steelworkers whose long friendship unravels as their livelihood is threatened by free trade and immigration.
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A good Sondheim show has the sinewy strength, both musically and dramatically, to thrive in the barest of renderings.
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Since he died in 2005, Wilson's stature has only increased, with his name regularly appearing on annual lists of the nation’s most-produced playwrights.