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Matt EmersonMarch 24, 2015

A passionate plea for better music education, courtesty of David Gelernter in the Wall Street Journal:

To know nothing about Beethoven? That is cultural bankruptcy. That is collapse. It goes far beyond incompetence, deep into betrayal and farce.
 

“Why should we know anything about Beethoven?” The question was asked in all seriousness by a sophomore just a few months ago. When I dredged up old, tired clichés, he listened carefully—and seemed convinced! What could be sadder? He was only waiting for the smallest bit of encouragement.

I told him (approximately), “You must know Beethoven’s music because no one has ever said anything deeper about what it means to be human, to look life and death in the eye, to know beauty at its purest and most intense—if you can take it. Because Beethoven asserts his own mere human self against the whole cosmos and makes it listen; he addresses God face-to-face, like Moses, whether God listens or not. And so people all over the world study and listen to and perform his music with reverence.”

 

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