Michael Mewshaw’s 'My Man in Antibes' is an entertaining, moving memoir, spiced with intriguing literary anecdotes about his sometimes fraught friendship with Graham Greene.

Megan Nix’s 'Remedies for Sorrow' is ostensibly a memoir, but confining Remedies for Sorrow to one genre seems too restrictive for what this expansive and enlightening book accomplishes.

Michael O’Connell’s 'Startling Figures' asks what American Catholic writers have in common—and the answers are not always obvious.

In his 2008 book, Tomáš Halík calls on the church to provide “dressing stations” for the wounded. Halík’s book is now available for the first time in an English translation by Gerald Turner as 'Touch the Wounds: On Suffering, Trust, and Transformation.'

Like much of Liam Callanan’s fiction, 'When in Rome' hints at the action of divine grace in people’s lives and how the protagonists come to understand and appreciate its beneficence.

In 'The Deadline,' Jill Lepore uses her deep historical knowledge to ground the reader in truthful analysis, synthesizing complex ideas into their most digestible form.