Voices
John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times.
Arts & CultureFilm
“Lady of Guadalupe” is not an episode of “Law & Order: Sacred Visions Unit,” or anything close, though it might inspire devotion to Our Lady.
Arts & CultureFilm
“Francesco” dissolves much of the distance between the pope and the people of all faiths who embrace him.
Arts & CultureFilm
The “messiah” of the title is Fred Hampton, a Black Panther leader, orator, organizer and, in 1969, a 21-year-old murder victim at the hands of Chicago police.
Arts & CultureFilm
“Nomadland” is the kind of movie that wins awards and no one ever watches it again. It’s cruel but true.
Arts & CultureFilm
“Saint Maud” is the latest entrant in the religious-obsessives-are-the-craziest-people movie catalogue.
Arts & CultureFilm
Have we seen the end of motion pictures as we knew them?
Arts & CultureFilm
The last movie in his “Godfather” trilogy was critically eviscerated when it debuted, and “The Godfather: Coda, The Death of Michael Corleone” seems a last-ditch effort to redeem the film.
Arts & CultureFilm
There is no way not to see “Mank” as a tale of self-destruction and professional suicide.
Arts & CultureFilm
That “Chicago 7” is turning up on Netflix at this precise moment is no accident, the moment being serious.
Arts & CultureFilm
“The Devil All the Time” is a story of fathers and sons, serial killers, religious frauds and fundamentalist lunatics.