The new film is in many ways an act of love, an effort to tell its story both freshly and honestly, with fidelity to Scripture.

Under a remarkably convincing recreation of 1819 England is both the brutality and the self-righteousness exhibited by the haves, when the have-nots ask for more.

A new series on History approaches Jesus and his followers as humans rather than as stained-glass icons.

Crosby was the most Catholic superstar the United States has ever seen.

Who, exactly, was the fastidious, mustachioed Hercule Poirot?

“La Religieuse” has been assailed as an attack on the church itself. And by people who had not even seen the film.

“Vice” isn’t a dishonest movie, exactly. It just enables dishonesty.

The best movies from this year were about family, both natural and improvised.

Nadine Labaki’s new film is set amid the supreme chaos of current-day Beirut.

The messages of “Mary” that can be applied to our own age are received early, and often.